catpower 5106 ürün bilgisi Ile ilgili detaylı notlar
catpower 5106 ürün bilgisi Ile ilgili detaylı notlar
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Chan Marshall isn’t ready for me. “Are you a journalist? Oh Jesus, oh Lord.” We’re speaking on the phone – Marshall is in her hotel room, I’m in the lobby downstairs, after my knock at her door went unanswered.
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While in Atlanta, Marshall played her first live shows birli support to her friends' bands, including Magic Bone and Opal Foxx Quartet.[22] In a 2007 interview, she explained that the music itself was more experimental and that playing shows was often an opportunity for her and her friends "to get drunk and take drugs".
Things are better these days, especially since she had her son – though lockdown got to her for a moment. “I broke down one afternoon,” she says. “I think it was month six. And I was just sitting there and I don’t know what happened, but I just went inside my head.
Back on the bed, she raises one arm into the air kakım if she’s asking a question in class, and holds it there birli she talks. “I have a million favourite songs. Everybody who başmaklık a brain in their head, with a heart in their body, loves music.
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, she başmaklık always been something of a cult figure. “Marshall’s music will one day be spoken about the way we talk about Bob Dylan’s music, or Neil Young’s music,” wrote a New York Magazine
It takes a certain kind of character to make music like Marshall’s. A sprawling mix of blues, rock and folk, it is as frank and impassioned as she is.
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Not a minute too soon, we’re interrupted by room service, and a young woman wheels in a tray of coffee. “Are you from Africa?” asks Marshall.
She tries hamiş to dwell on the bad stuff, just like she doesn’t dwell on turning down a million dollars. “I don’t regret the things that I’ve done,” she says.
If a song touches you, you can read between the lines and find something for yourself. Even if we all love this one f***ing song all around the world, each one of us will have 4 billion different realms of feelings.”
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“I have something in my eye and I’m still wet from the shower,” she says, in that same husky American drawl she sings with bey Cat Power. “Sevimli you come back in 15 minutes? I’m really sorry sweetie.”
Now, 20 years on, she’s got a third covers album, the aptly named Covers – a spacey but intimate collection that includes songs by Nick Cave, Billie Holiday and Frank Ocean, demonstrating once again the transformative power of Marshall’s singing. To have your song covered by her is to have it pared back to its very essence.